Friday, December 17, 2021

PHOTOSHOP QUIZ

 Monday, 12/20- Thursday, 12/23

PHOTOSHOP QUIZ    

A.. IN YOUR STUDENT FOLDER IN TV STUDIO, LOCATE THE FOLDER CALLED "PHOTO QUIZ"

B. YOU WILL SEE TWO FOLDERS

3. DIRECTIONS FOR THE "ADJUST LEVELS2" FOLDER

ADJUST  LEVELS 2 FOLDER

-1. MAKE A BACKGROUND COPY OF EACH PIC

-RENAME EACH PIC BY TYPING - EDIT  IN THE "SAVE AS" LINE

-2. ADJUST THE RED, GREEN, AND BLUE LEVELS FOR EACH PIC

3. PUT A FRAME AROUND EACH PIC

4. TYPE A TITLE ON EACH PIC

5. PUT A RECTANGLE/ BOX AROUND EACH TITLE

6. REMEMBER TO SAVE

7. YOU MUST COMPLETE THESE STEPS FOR ALL 10 PICTURES.  100 POINTS


RED EYE 2 FOLDER DIRECTIONS

1. MAKE A BACKGROUND COPY FOR EACH PICTURE

2. REMEMBER TO RENAME EACH PIC AS YOU "SAVE AS"   PUT  THE WORD EDIT AFTER THE TITLE ON THE SAVE AS LINE.

3. FIX THE RED EYE FOR ALL 10 PICUTRES...100




MAKE SUREALL WORK IS SAVED IN YOUR PHOTO QUIZ FOLDER IN TVSTUDIO


ALL WORK IS DUE BEFORE YOU LEAVE CLASS ON THRUSDAY, 12/23


Changing eye color

 

Changing Eye Color

Changing Eye Color
Changing Eye Color In An Image With Photoshop
Did you ever want to know what it would be like to change your eye color?  Today is your lucky day!

1. Get a camera
2. Take a close-up pic of a classmate or have someone take a close-up of you.
3. Use your selected pic to complete the following tutorial......
4. You must change the color of your pic three times....tow normal and one bizarre color!
Save as eye1, eye2, and eye3.


Changing Eye Color In An Image With Photoshop

In this Photo Retouching tutorial, we'll learn a very simple technique for changing someone's eye color in a photo using a Hue/Saturation adjustment layer! Of course, there's no shortage of ways to change colors in an image with Photoshop, but whether you know which color you want to use or just want to play around and experiment, a Hue/Saturation image adjustment makes changing eye color easy, fast and fun!
Download our tutorials as printable PDFs! Learning Photoshop has never been easier!
Here's the image I'll be using:
A photo of a woman in a white robe sitting in tall grass. Image licensed from iStockphoto by Photoshop Essentials.com
The original image.
Let's get started!

Step 1: Zoom In On The Eyes

Before we begin, let's make it easier to see what we're doing by zooming in on the eyes in the photo. Select the Zoom Tool from the Tools palette, or press the letter Z on your keyboard to select it with the shortcut:
Selecting the Zoom Tool from the Tools palette in Photoshop. Image © 2010 Photoshop Essentials.com
Select the Zoom Tool.
With the Zoom Tool selected, click and drag out a selection box around the eyes. This is the area we'll be zooming in to:
Drawing a selecting around the eyes with the Zoom Tool in Photoshop. Image © 2010 Photoshop Essentials.com
Drag out a selection box around the eyes.
Release your mouse button, and Photoshop fills the document window with the area you selected:
Zooming in on the eyes in Photoshop. Image © 2010 Photoshop Essentials.com
Photoshop zooms in on the selected area.

Step 2: Select The Lasso Tool

Next, we need to select the eyes so we're not affecting any other areas of the image. For that, we'll use the Lasso Tool. Select the Lasso Tool from the Tools palette, or press the letter L on your keyboard to quickly select it with the shortcut:
Selecting the Lasso Tool from the Tools palette in Photoshop. Image © 2010 Photoshop Essentials.com
Select the Lasso Tool.

Step 3: Draw Selections Around The Eyes

With the Lasso Tool selected, drag a selection around one of the eyes. Don't worry if your selection outline isn't perfect since we'll clean things up later. Once you have the first eye selected, hold down your Shift key and draw a selection around the other eye. Holding down the Shift key will add the new selection to the previous one, allowing us to select both eyes at once:
Drawing selectings around the eyes with the Lasso Tool in Photoshop. Image © 2010 Photoshop Essentials.com
Select the first eye, then hold down Shift and select the other.
We don't need the pupils in the center of the eyes selected, so let's remove them from the selection. Hold down your Alt (Win) / Option (Mac) key and drag around each pupil with the Lasso Tool. This will remove them from the selection, leaving us with only the colored area selected. Again, don't worry about being overly precise for now:
The pupils have been deselected in the image. Image © 2010 Photoshop Essentials.com
Hold down Alt (Win) / Option (Mac) and drag around the pupils to deselect them.

Step 4: Add A Hue/Saturation Adjustment Layer

With the eyes now selected, we're ready to change their color! For that, we'll use a Hue/Saturation adjustment layer. Click on the New Adjustment Layer icon at the bottom of the Layers palette (it's the circle split diagonally between black and white), then select Hue/Saturation from the list of adjustment layers that appears:
Selecting a Hue/Saturation adjustment layer in Photoshop. Image © 2010 Photoshop Essentials.com
Click on the New Adjustment Layer icon and choose Hue/Saturation from the list.

Step 5: Select The "Colorize" Option

If you're using Photoshop CS4 as I am here, the options and controls for the Hue/Saturation dialog box will appear inside the Adjustments Panel which is new to CS4. In Photoshop CS3 and earlier, a Hue/Saturation dialog box will appear on your screen. Select the Colorize option by clicking inside its checkbox:
Selecting the Colorize option for the Hue/Saturation adjustment layer in Photoshop. Image © 2010 Photoshop Essentials.com
Select "Colorize".
As soon as you select Colorize, you'll see the eyes change color in the document window:
The eyes now appear red after changing their color in Photoshop. Image © 2010 Photoshop Essentials.com
The eyes instantly change color.

Step 6: Adjust The Hue, Saturation And Lightness

To change the color, simply adjust the Hue, Saturation and Lightness options by dragging their sliders left or right. Hue will change the basic color, Saturation changes the saturation of the color, and Lightness affects the overall brightness. Be careful not to drag the Saturation or Lightness sliders too far to the right, though, since things can quickly become unnatural looking. The image in the document window will continually update as you move the sliders so you can see a live preview of the changes:
Adjusting the Hue, Saturation and Lightness controls. Image © 2010 Photoshop Essentials.com
Dial in the color you want with the Hue, Saturation and Lightness sliders.
When you're happy with the new color of the eyes, click OK to exit out of the Hue/Saturation dialog box (Photoshop CS4 users can leave the Adjustments Panel open since there's no need to close it). Here's my image after changing the woman's eyes from blue to green:
The eyes now appear green after changing their color in Photoshop. Image © 2010 Photoshop Essentials.com
The Hue/Saturation adjustment makes it easy to select any color you want for the eyes.

Step 7: Select The Brush Tool

If your initial selection of the eyes with the Lasso Tool wasn't perfect, cleaning things up is as easy as painting with a brush! Select Photoshop's Brush Tool from the Tools palette, or press the letter B to select it with the keyboard shortcut:
Selecting the Brush Tool from the Tools palette in Photoshop. Image © 2010 Photoshop Essentials.com
Select the Brush Tool.

Step 8: Select The Hue/Saturation Layer Mask

If we look in our Layers palette, we see our Hue/Saturation adjustment layer sitting above the image on the Background layer. One of the great things about adjustment layers is that they include a built-in layer mask, which makes it easy to control exactly which areas of the image are affected by the adjustment layer and which are not. All we need to do is paint on the layer mask with our brush, but first, we need to make sure the layer mask is selected. You should see a white highlight border around the layer mask's thumbnail, which means the mask is selected. If you don't see the highlight border, simply click directly on the thumbnail to select the mask:
The layer mask thumbnail for the Hue/Saturation adjustment layer in Photoshop. Image © 2010 Photoshop Essentials.com
Make sure the layer mask for the adjustment layer is selected.

Step 9: Paint On The Mask To Clean Up The Selection

To clean up the eyes, simply paint over any problem areas with your brush. Paint with white to add to the area that the Hue/Saturation adjustment layer is affecting, or with black to hide the effects of the adjustment layer. Photoshop paints using your current Foreground color, which you can see by looking at the Foreground color swatch near the bottom of the Tools palette:
The Foreground color swatch in the Tools palette in Photoshop. Image © 2010 Photoshop Essentials.com
The Foreground color swatch shows the color you're painting with.
With the layer mask selected, press the letter D on your keyboard to reset your Foreground color to white. To quickly switch to black, press the letter X, which swaps the Foreground and Background colors. Press X again to switch back to white.
To change the size of your brush, use the left and right bracket keys on your keyboard. Press the left bracket key ( [ ) repeatedly to make the brush smaller or the right bracket key ( ] ) to make it larger. Press Shift+left bracket to make the brush edges softer if needed, or Shift+right bracket to make them harder.
Here, I'm painting around the outer edge of one of the eyes with a small brush, with black as my Foreground color, to hide any areas where the new green color extended out into the white part of the eye:
Painting around the eye with black to hide the Hue/Saturation adjustment layer. Image © 2010 Photoshop Essentials.com
Painting with black on the layer mask to remove any unwanted green areas.
Here, after cleaning up the effect by painting on the layer mask, is my final result:
Changing eye color in a photo with Photoshop. Image © 2010 Photoshop Essentials.com
Her blue eyes are now green. No special contact lenses required.

ASSIGNMENT:
1. Take 8 photos of yourself.  Make sure your eyes are visible and the picture focuses on your eyes.  You should have at least 4 close-ups

2. Import the pics to your Pub File :  Create a folder called EYE COLOR

3. Change the eye color of each pic

4. Call up your BLANK InDesign Page

5. Scroll to a blank page and place all eight photos on the page.  Save it in the EYE COLOR folder

Thursday, December 16, 2021

Fixing Red eyes in pics

 

Fixing Red Eye

 How to Use the Red Eye Tool in Photoshop 

To quickly remove red eyes in photos:

  1. Open the photo and zoom in on the red eyes.

    Open the photo and zoom in on the red eyes.
  2. Click and hold the Healing Brush tool and select Red Eye Tool at the bottom of the list.

    Click and hold the Healing Brush tool and select Red Eye Tool at the bottom of the list.
  3. Click on the reds eyes and watch them turn to normal.

    Increase the Pupil Size in the tool options bar to widen the area the tool will be applied to. Adjust the Darken Amount to lighten or darken the result.

    Click on the reds eyes and watch them turn to normal.

How to Manually Remove Red Eyes in Photoshop

If you want more control over how the final result looks, you can also remove red eyes manually:

  1. Open the photo and zoom in on the red eyes.

    Open the photo and zoom in on the red eyes.
  2. Click and hold the Eyedropper tool and select Color Sampler Tool.

    Click and hold the Eyedropper tool and select Color Sampler Tool.
  3. Click on an area of the iris where you can see a hint of the natural color.

    Click on an area of the iris where you can see a hint of the natural color.
  4. Click and hold the Brush tool and select Color Replacement Tool.

    Click and hold the Brush tool and select Color Replacement Tool.
  5. Paint over the red parts of the eyes.

    Use the eraser tool to clean up any overspray from painting outside the iris. If you want to darken the pupil area, use the Photoshop Burn tool.

    Paint over the red parts of the eyes.
  6. Select Filters > Blur > Gaussian Blur.

    Select Filters > Blur > Gaussian Blur.
  7. Set the Radius to 1 pixel and select OK to soften the edges of the painted area on the layer.

    Set the Radius to 1 pixel and select OK to soften the edges of the painted area on the layer.

Once satisfied with the result, you can save the file as a PSD file or in your preferred image format.

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Changing eye color

  Changing Eye Color Changing Eye Color Changing Eye Color In An Image With Photoshop Did you ever want to know what it would be like to cha...

Tuesday, December 14, 2021

Photoshop quiz - Adjust Levels/ Add Frame

 QUIZ

1. Open Photoshop

2.create a new project - make sure all of the numbers. proportions . image sizes are correct

3. Import the 4 photos from the folder called "Adjust Levels" in your tvstudio folder.

*Make sure you  make a background copy for each

4. Complete the following:

For each picture:

A. Adjust the Red, Green, Blue levels

B. Crop the pic if needed....using the rectangle "ant" tool located under the "move " tool

C. Add a frame

D. Save AS for each picture...and add edit to the picture name.

Homecoming edit

DO NOT save over the original

E. Save as a Photoshop (PSD ) file

F. Make sure your edits are saved in your tv student folder entitled "adjust levels"

Friday, December 10, 2021

Intro to Photoshop

 Photo Shop 

- Students will review introductory lesson in Photoshop

-Students should complete a lesson in Photo Shop


1. Correct the contrast on three of their best shots…these will be graded
A. Fix the levels
B. Adjust the RGB
C. Adjust the individual colors: red, green, blue
D. Each photo should contain a caption using the caption rules stated below.

2. They should fix the contrast of the photos in tvstudio

3. Go through your photos and eliminate any unacceptable photos.  Adjust other photos.


Three Photos:
Edit Your three best photos
Write a caption for each
1. Nature/ Portrait / Group
1. Texture
1 your choice

Place pictures on MS Word and upload to www.turnitin.com
Caption Writing:
1.Check your facts. One of the most important aspects of any type of journalism is accuracy. If you use incorrect information, the story or photo loses credibility. Before uploading or printing any photo captions, make sure you’ve checked that anything stated in the caption is accurate.[3]
  • Don’t print an incorrect caption if you have trouble checking your facts, either because you can’t find an appropriate source, or because you’re on a deadline. It’s better to leave the information out if you aren’t sure it’s accurate.
2
Describe something that isn’t obvious. If a photo caption simply describes the visuals in the photo, it’s fairly useless. If you have a photo of a sunset and simply caption is as “a sunset” you’re not adding any additional information for the reader. Instead, describe details of the photo that are not obvious, like the location, the time of day or year, or a specific event that is taking place.[4]
  • For example, if you have a photo of a sunset you might want to caption it as: “Pacific coast sunset, March2016, from Long Beach, Vancouver Island."
  • Also avoid using terms like: “is shown,” “is pictured,” “and looks on,” or “above."


  1. Do not start a caption with certain words. A caption should not begin with the words ‘a,’ ‘an,’ or ‘the.’ These words are too basic and take up valuable captioning room when they aren’t necessary. For example, instead of saying: “A blue jay in the boreal forest;” simply say: “Blue jay flying through boreal forest.”[5]
    • Also, do not start a caption with the name of someone, start the caption with a description first and then include the name. For example, don’t say: “Stan Theman near Sunshine Meadow Park.” Instead say: “Jogger Stan Theman near Sunshine Meadow Park."
    • When identifying where someone is in a photo, you can say “from left.” You do not have to say “from left to right."

  2. 4
    Identify the main people in the photo. If your photo includes important people, identify who they are. If you know their names, include them (unless they’ve asked to remain anonymous). If you don’t know their names, you might want to put a description of who they are instead (e.g. “protesters on the streets of Washington, DC”).[6]
    • While it shouldn’t need to be said, make sure any and all names you use are spelled correctly and have the proper title.
    • If the photo includes a group of people, or some people who are not relevant to the story (i.e. their names are not required to tell the story), you do not have to name each of them in the caption.[7]

  3. 5
    Be as specific as possible. This advice goes hand-and-hand with being accurate. If you are unsure of where the photo was taken, or who is in the photo, find out. Showing a photo without any specific information may not be useful to the reader, especially if you cannot inform them of the context in which the photo was taken.[8]
    • If you were working with another journalist for the story, contact them for more information if needed.
    • If you are trying to identify a specific person in the photo, describing where in the photo they are is very useful. For example, if Bob Smith is the only one in a hat, you can say: “Bob Smith, back row in hat."
    • While specific is good, you can also phrase your caption so that is starts general and becomes more specific, or starts specific and ends more generally. Either method ensures specificity, but creates easy-to-ready statements.[9]

  4. 6
    Label historical photos properly. If you’re using an historical photo in your story, make sure it’s labelled properly and includes the date (at least the year) it was taken. Depending on who owns the photo, you may also need to credit another photography and/or organization (e.g. museum, archive, etc.).[10]

  5. 7
    Use the present tense in captions. Because most photos being shown as part of a news story are of things happening “right now,” use the present tense in the caption. An obvious exception would be any historical photos, where using the past tense makes sense.[11][12]
    • The nice thing about using the present tense is that it portrays a sense of immediacy and increases the impact of the photo on the reader.

  6. 8
    Avoid humour when the photo isn’t intended to be humorous. If the photo you’re captioning is of a serious or sombre event, don’t try to be funny in the caption. Funny captions should only be used when the photo itself is a joke or of a funny event that is intended to make the reader laugh.[13]
  7. Image titled Write Good Captions in Photojournalism Step 9
    9
    Remember to always include credits and citations. Every photo should include the name of the photographer and/or the organization that owns the photograph. In actual photographic magazines and publications, photos also include the technical details of how the photo was taken (e.g. aperture, film speed, f-stop, lens, etc.)[14]
    • When writing the credits, you don’t have to use the term “credited 
    • to” or “photo by” if the information is presented in a consistent and understandable format. For example, maybe the credits are always italicized or are a smaller font size.
    Avoiding Caption Mistakes:
    1. 1. Do not be arrogant. Arrogance in captions comes when the person writing the caption doesn’t care about the reader, and simply writes a caption that is easy at the moment of writing. This can also be consider being selfish because the writer cares more about themselves than the reader who is trying to decipher what the photo and story are about.[27]
      • This can also happen when a writer is trying to be ‘fancy’ and try something new or clever. There is no need to get complicated. Keep things simple, clear, and accurate.

    2. 2
      Avoid making assumptions. You know what they say about people who assume … ! The same goes for writing captions. These assumptions could be on the part of the journalist, photographer, or even someone else at the publication where everything is being put together. Don’t make assumptions about what was going on in the photo, or who the people are. Find out the truth and only include what’s accurate.[28]
      • This also goes for style and format. If you aren’t sure if the publication has a specific format for captions, ask. Don’t use a format you like that may need to be completely revised later because you didn’t ask.

    3. 3
      Make sure you aren’t sloppy. Sloppiness happens when someone just doesn’t care, or doesn’t consider the situation important enough to double-check. The result of sloppiness can be incorrect spelling, the wrong names for people in the photo, captions that don’t match the photos, referring to a photo in the story incorrectly, etc. If you’re proud of your work, do a good job from start to finish.[29]
      • This can also happen when someone tries to use another language in the caption, but doesn’t check if it has been written properly. Google Translate is not the same as double-checking if the language is correct!

    4. 4
      Remember that what you print is considered fact. As a journalist, whatever you print either in your story or caption is usually considered fact by your readers. They rightfully assume you’ve done your fact-checking and that what you’re telling them is accurate. If you were too lazy or sloppy to do the job, you risk passing along incorrect information to a large number of people.[30]
      • Also remember that once information gets “out there,” it can be hard to correct. Especially if that information is related to an event that was tragic, stressful or still ongoing.

Monday, October 3, 2016

Nature Pics

11 Tips For Taking Beautiful Photos Of Nature
Whether you’re photographing beautiful landscapes, trees, water, animals, plants or flowers, nature photography can be incredibly rewarding. But you don’t have to live in an area of outstanding natural beauty to take stunning wildlife photos. Nature is all around us. Whether you’re exploring the countryside, wandering through a city, or even just out in your garden, you can always find amazing natural subjects to photograph. In this tutorial, you’ll discover eleven inspiring tips for taking amazing nature photos with your iPhone.
Nature iPhone Photos 24
Your iPhone is actually the perfect camera for nature photography in many situations. You don’t have to lug around heavy camera equipment, and its small size means you can get really close to your subject or shoot from extremely low angles.
And since you always have your iPhone with you, you’ll never miss out on photographing the wildlife that you see every day. Something as simple as a butterfly on a flower or a beautiful icy twig can make a stunning nature photo that you’ll be proud to share with the world.
Nature iPhone Photos 33
So let’s take a look at the most important photography tips and techniques for taking beautiful iPhone photos of the natural world.

1. Make The Most Of Your Natural Surroundings

You don’t have to live in the most beautiful place to find amazing nature subjects to photograph. Go outside and explore your yard, neighborhood or street. I have a state park nearby with a walking trail that is a constant inspiration for many of my photos.
Mist Fog iPhone Photos 18
Be observant. Enough cannot be said about looking around and actively observing your surroundings. There are no limits to what you could capture: landscapes, wildlife, insects, flowers, water, birds, sunsets, trees, clouds, fog… the list is endless.
Nature iPhone Photos 7
Don’t just look around at eye level. The most interesting subjects are often found on the ground. Try looking up too. The sky makes a great background for birds flying overhead or for photographing straight up at tall plants or trees.
Nature iPhone Photos 30
If you have children, go out exploring with them. Children are natural explorers and their curiosity is infectious. They often spot things that you might not have noticed and they’re not afraid of getting dirty. There’s a lot we can learn about photography from children.
Nature iPhone Photos 18
This icicle photo is the result of my son excitedly finding them and then promptly telling me. My children have learned to be very observant and this inspires me to look more closely at nature.

2. Capture Different Seasons

It’s amazing how different the landscape and nature can appear at different times of the year. From the weather and changing light to the kinds of plants and animals that you’ll find, each season has its own unique scenes that you can capture with your iPhone.
In spring, you’ll find an abundance of new life emerging. During summer the trees are full of leaves, and flowers in a multitude of colors are everywhere you go.
Nature iPhone Photos 9
As fall begins, the leaves on the trees will start to change color and drop to the ground. This is a fantastic time of year to photograph the beautiful warm colors, and the light can be amazing at this time of year.
Nature iPhone Photos 41
People often think that there’s nothing to photograph in nature during winter. But trees without leaves make great subjects, especially if you capture their bare branches silhouetted against the sky. And of course, frost and snow makes all of nature appear beautifully delicate.
Nature iPhone Photos 14
Many times I will photograph the same location, tree or twig in different seasons, and the photos are always different each time. Go out and find a location that you like, then keep revisiting it and taking photos of the same view during different seasons.
Processed with VSCOcam with s5 preset
Above and below are two photos of the same view taken at different times of the year. The light and the difference in foliage on the trees creates two completely different images.
Nature iPhone Photos 37
By shooting the same scene or subject throughout the year, your photography will improve and you’ll begin to focus in on different elements within the same subject.

3. Shoot In The Best Light

Most nature photography is done outside in natural light. The type of lighting you’re shooting in is one of the most important things to consider. A good photo opportunity can be ruined if the light is not good.
Nature iPhone Photos 17
It’s generally best to take your photos when the sun is lower in the sky – either early in the morning or in the evening just before the sun sets. These times of the day are referred to as the “golden hour” in photography. During the golden hours the light is warmer and softer, making it easier to take great photos.
Nature iPhone Photos 21
The right kind of light is what makes your photos more captivating. When the sun is low in the sky it can create a magical scene, especially if you can capture the light rays through trees and fog. The golden glow that highlights your subject is just wonderful.
If you’re out shooting during the main part of the day, an overcast sky is better than strong sunlight. In strong sunlight you can have problems with getting the exposure right and you’re likely to get harsh shadows on your subject. If the sun is bright, look for shaded areas to get out of the direct light.
Nature iPhone Photos 6
When photographing something found in nature, such as feather or a fallen leaf, you may find it easier to take the object home and photograph it in a situation where you have more control over the lighting.
Processed with VSCOcam with c6 preset
I found this feather while out on a walk and took it home to photograph. I positioned it on a white surface next to a window, allowing me to use the best and most natural light to illuminate the subject and create interesting shadows.

4. Get The Perfect Exposure

Keep in mind that your eyes see very differently to what your camera sees. So once you’ve found the right lighting, make sure you adjust the exposure manually to capture the scene at its best.
Mist Fog iPhone Photos 23
When you’ve framed your shot, tap the screen to lock in the focus, then swipe up or down to adjust the exposure. Make sure none of the highlights (bright areas of the image) are blown out (over-exposed), especially in the sky. Badly over-exposed areas will ruin your image and there’s nothing you can do to fix it in post-processing.
Sometimes when shooting a scene outside, the lighting may not be optimal for your camera so you might need to use HDR (High Dynamic Range). You can try switching on the HDR setting in the native camera app or use a dedicated HDR app such Pro HDR X.
Nature iPhone Photos 22
Simply put, dynamic range is the ratio between the lightest areas of an image and the darkest areas. The HDR setting allows your phone to capture more detail in both the shadowy areas and the light areas of the scene by taking several shots and combining their exposures. This is especially useful in high contrast scenes, such as when you have a bright sky and a dark foreground.
Since the camera is taking several shots one after the other, you’ll need to keep your iPhone very still when using HDR. Avoid using HDR when photographing moving subjects such as animals or in windy conditions because any movement may be blurred once the different exposures are combined.

5. Get Up Close

Your iPhone is quite capable of taking beautiful close up macro shots even without the use of special macro lenses. Close ups of flowers, leaves, insects and other natural objects are a wonderful way of showing the incredible detail of nature.
Get your  lens nice and close to your subject, then tap on the area of the scene that you want in sharp focus. This is an important step as the depth of fieldis very shallow when shooting close up, and only a small portion of the image may be in focus.
Nature iPhone Photos 1
You may find it difficult to adjust focus at first, but with practice and taking a lot of photos you’ll be amazed at the results. If the camera won’t focus, you’re probably a bit too close to the subject so pull the iPhone back a little and try again.
When I’m trying to focus on a small twig, branch or spider web, the camera sometimes focuses on the background instead, causing the main subject in the foreground to be blurry.
By placing my hand (or a leaf) behind the subject, the camera focuses back on the subject. I then lock the focus by touching and holding my finger on the screen, and remove my hand before releasing the shutter.
When taking close up photos it’s especially important to keep your iPhone really steady while releasing the shutter. Any slight movement will result in a blurry photo. Keep your elbows close to your side to steady your device and prevent camera shake. Alternatively, mount your phone on a tripod and trigger the shutter button using the volume button on the iPhone headphones.
Nature iPhone Photos 5
Close up photography can take a little practice, but you can do it. Take a lot of photos because you want to be able to choose the best and delete the rest.

6. Don’t Forget About Composition

Most people see a beautiful landscape, animal or body of water, and take the picture just as a snapshot of the moment. But if you really want the scene to tell a story or convey a mood, you must think about how to compose the elements within the frame. There are a number of composition techniques that are very useful in nature photography.
Think about the rule of thirds when composing your shot. This rule states that your subject should be placed off-center, rather than in the middle of the frame. This creates a more natural and balanced composition which is more pleasing to the eye.
Using objects in nature to frame the scene is a great way of drawing attention to your main subject. Tree branches in the foreground make excellent frames. The frame could just be along the top of the image, or it can be around several sides as shown in the image above.
Try using negative space to emphasize your subject. Negative space means that there is a large amount of empty space, such as a plain background, with the subject (positive space) placed somewhere within that area.
Nature iPhone Photos 31
Using negative space isolates your subject, creating a very strong focal point in your image. In this photo, the grey heron isolated by the large expanse of water creates an interesting composition with the emphasis on the bird.
Also, think about photographing your subject from a different perspective or angle. Shooting from a very low angle is a great way of showing your subject from a perspective that you wouldn’t normally see.
Nature iPhone Photos 38
For example, you usually look at flowers from above, but by shooting this flower from below I’ve managed to show detail that you wouldn’t see from standing height. It also allowed me to use the bright sky as a background which makes the delicate details of the flower stand out more clearly.
Nature iPhone Photos 27
If you see a beautiful reflection, you might find that flipping the photo in post-processing creates a more interesting composition. This can add mystery and intrigue to your image, and the ripples in the water create a beautiful painterly effect.

7. Use The Sky As A Background

One of the problems with nature photography, especially when photographing small objects near to the ground is that the backgrounds are often cluttered and dark. This can make it difficult to get your main subject to stand out against the background.
A great way of getting around this problem is to shoot from a very low angle so that the sky becomes the background behind your subject. You may need to get very low, and by this I mean lying on the ground – but it’ll be worth it for the great shot that you’ll end up with!
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A beautiful light blue sky with white fluffy clouds makes the perfect background for this flower. By shooting from a low angle I’ve managed to isolate my subject as well as showing it from a perspective that you wouldn’t normally see.
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Sunrise and sunset produce amazing colored skies which make perfect background for your nature shots. By shooting directly up at this branch, and then exposing for the sky, I’ve created a lovely silhouette while the light highlights the ice clinging to the branches.
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Photographing birds in flight from directly beneath them can also create some dramatic effects. Notice how beautiful the wings of this robin look against the blue sky.

8. Create A Sense Of Depth

One of the problems with shooting landscapes is that the image can appear very “flat” and you don’t get a sense of depth or distance. A great way to create a sense of depth is to include natural objects in the foreground. This gives the viewer something to focus on in the foreground before their eye moves to the scene in the distance.
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Object such as rocks, trees, animals or plants that are close to the camera make great foreground subjects. As well as creating depth, they also make your images more interesting and provide a focal point, especially when photographing faraway mountains or other landscape features.
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Shooting from a very low angle to get these colorful leaves in the foreground have helped create a sense of depth, making the tiny human figure in the distance seem a very long way away.

9. Use Burst Mode For Moving Subjects

Moving subjects such as birds, butterflies, or any animal that’s on the move, can be very difficult to photograph. By the time you’ve pressed the shutter button, the subject may already be out of the frame or you’ve captured them but not at the right moment.
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Using the Burst Mode setting in the native camera app gives you the best chance of capturing the perfect shot when photographing moving subjects.
Once you’ve framed your shot, just press and hold the on-screen shutter release button with your finger. This will give you multiple shots of the same subject and plenty of choices when deciding which photos are most in focus. Save one or two of the best and just delete the rest.
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Another problem that you can get with animals is that if they’re moving too fast, they may just appear as a motion blur in the image. This can be especially common in low light situations where your camera has to use a slower shutter speed to achieve the correct exposure.
The rule of thumb with motion blur is that the brighter the ambient light, the faster the camera’s shutter speed will be. Fast shutter speeds freeze motion so you’ll get nice crisp shots of moving subjects if you’re shooting in bright light.
But if you’re shooting moving subjects in low light, you may struggle to get a shot without motion blur. In this situation, always use Burst Mode in the hope that at least one of the shots will have the subject in focus.

10. Be Patient

When photographing nature, you have to be patient. You must be willing to wait, watch or go where an interesting subject would be located. If you’re waiting for an animal to appear in a location where you can photograph it, keep still and quiet so as not to frighten it away.
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I’d spotted this beautiful green moth flying around outside, but it was impossible to get a good shot of it in the air. I knew that it would land at some point, so I waited and quietly watched it for a while. Eventually it landed on this red brick wall which made the perfect background with its vivid contrasting color.
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As well as waiting for your subjects, you often need to wait for the right light. When I came across this branch covered in cobwebs I thought it would make an interesting photo if I positioned the sun in the cup of the twigs. So I waited until the sun was setting, and snapped this shot when the sun was just in the right position.

11. Edit Carefully

Let nature speak for itself. Over-saturating and over-processing your images just seems to destroy what natural beauty is already there. Over-editing is a common mistake that many beginner iPhone photographers make, especially in landscape and nature photography.
The idea with nature photography is that you’re capturing the natural beauty of your surroundings, so always keep this in mind when editing your photos. Less is more when it comes to image editing.
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Final Exam

Layout and Design Checkpoints: make a fold called FINAL EXAM NAME ALL PROJECTS FINAL EXAM Use guidelines to assure even tops and bottoms eve...